BLACKWATER VALLEY EXORCISM
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Fans of "The Jerry Springer Show" will love this trashy romp about a naughty sheriff, a fallen priest, a bunny-eating demon girl and a ranch hand who's always up for an exorcism. Everyone else will just sit there, slack-jawed and speechless. With Cameron Daddo, Kristin Erickson, James Russo and Jeffrey Combs. Directed by Ethan Wile

CHERRY FALLS
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Fans of the “Scream” franchise know that chills and chuckles go together like peanut butter and jelly. So you won't want to miss this slasher movie spoof about a crazed killer stalking virgins at a high school in—where else?—Virginia. With Brittany Murphy, Jay Mohr, Michael Biehn and Candy Clark. Directed by Geoffrey Wright.

CREATURE FROM THE BLACK LAGOON
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One of the best horror films of the 1950s is also a Beauty and the Beast love story: Scientists invade a creature’s watery habitat; the creature defends his home turf by terrorizing the crew and, in the process, falls head-over-fins for the leggy Julie Adams. We can’t say we blame him. Hubba hubba! With Richard Carlson, Julie Adams and Richard Denning. Directed by Jack Arnold.

THE CRUSH
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Flesh-eating zombies. Killer dolls. Devil worshipers. Okay, this movie doesn’t have any of them. But it does have…fourteen-year-old Alicia Silverstone? Yep. She plays a lunatic Lolita out to destroy a guy who rebuffed her advances. We are so there. With Cary Elwes and Alicia Silverstone. Directed by Alan Shapiro.

DEATHWATCH (2004)
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During World War I, British soldiers realize that the Germans are the least of their worries; there's something even more evil lurking in the trenches. Horror films and war movies don't often cross paths, but as "Pan's Labyrinth" so effectively illustrates, they can make powerful allies. With Jamie Bell and Andy Serkis. Directed by Michael J. Bassett.

THE DENTIST
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Intense shocker about a demented dentist who catches his wife and the pool boy engaged in some "adult swim." Gore hounds know the drill; newbies should brace themselves. With Corbin Bernsen and Mark Ruffalo. Directed by Brian Yuzna.

DR. JEKYLL AND MR. HYDE (1932)
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In 1932, Hollywood took yet another crack at the oft-filmed Robert Louis Stevenson classic (there were at least three silent versions produced previously) and hit the jackpot: so startling are the transformation scenes that the exact manner in which they were pulled off was kept secret by director Rouben Mamoulian for decades. And for fans of great acting, Frederic March's Oscar-winning performance is as vital and alive today as when the film was first released. With Frederic March, Miriam Hopkins and Rose Hobart. Directed by Rouben Mamoulian.

ELVIRA, MISTRESS OF THE DARK
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Here are a few things you may not know about Cassandra Peterson, who plays Elvira: she was a Las Vegas showgirl; she was the lead singer in a 1970’s Italian rock band; and she was a member of the improvisational group, The Groundlings. Now, here are a few things you’ve missed if you’ve never seen this movie: her punked-out poodle, Gonk; her car, the Macabre Mobile; and the eye-popping vistas that only the wonders of widescreen can bring you. With Cassandra Peterson, William Morgan Sheppard and Daniel Green. Directed by James Signorelli.

THE FUNHOUSE
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Typically disturbing Hooper stalk-and-slash has a psychotic sideshow barker and his mutant son terrorizing four teenagers who’ve decided to spend a night in an amusement park. Sounds like pretty brutal stuff until you consider what certain big name theme parks would do if they caught you messing around in their teacups after closing. With Elizabeth Berridge, Kevin Conway and William Finley. Directed by Tobe Hooper.

THE MUMMY(1932)
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Boris Karloff solidifies his status as one of the greatest horror stars in film history with his terrifying yet surprisingly poignant performance as high priest Imhotep, a 3,700 year old mummy who wreaks havoc upon the members of the British field exposition that disturbed his tomb. Featuring groundbreaking innovations in make-up that are used to chilling effect, "The Mummy" earns its place in the canon of classic horror cinema.

THE HUNGER (1983)
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Let’s think about this for a minute. You’re at home. You could do some laundry. You could vacuum. Or, you could watch this movie, which features Susan Sarandon doing the nasty with Catherine Deneuve. You decide. Featuring David Bowie. Directed by Tony Scott.

THE MUMMY'S CURSE (1944)
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Okay, horror hot shots, it’s pop quiz time: How many mummy movies did Universal make in the 1930s and ‘40s? Give up? By our count, the correct answer is five. Anyhow, this is the last of the lot, a surprisingly entertaining B-movie that, er, wraps up the series in style thanks to some neat-o black and white photography, an eerie Louisiana bayou setting and the murderous antics of that creeping-est of monsters, Kharis. With Lon Chaney Jr., Peter Coe and Virginia Christine. Directed by Leslie Goodwins.

THE MUMMY'S GHOST (1944)
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A college student is stalked by an ancient mummy that believes her to be the reincarnation of an Egyptian princess.

THE MUMMY'S TOMB (1942)
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An Egyptian priest and his mummified slave arrive in America bent on avenging the desecration of their master's tomb.

NIGHTBREED
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After being betrayed by his gonzo psychiatrist, a man is gunned down by police, but his resurrected form finds acceptance with a group of nightmarish creatures. Clive Barker wrote and directed this adaptation of his novel, “Cabal,” and sprinkled it with arresting visuals, Hammeresque set pieces and metaphorical social commentary. With Craig Sheffer, Anne Bobby and David Cronenberg (yes, that David Cronenberg). Directed by Clive Barker.

TALES FROM THE CRYPT: BORDELLO OF BLOOD
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We can’t think of too many other horror movies set in a bordello—in fact, we can't think of any—so this one chalks up a few points for originality right off the bat. “Bordello of Blood” is a sequel of sorts to “Tales from the Crypt: Demon Knight,” and features a wisecracking Dennis Miller skewering vampires the same way he might go after Washington politicians. The only difference being, you can trust a vampire. Cah-ching! With Dennis Miller, Erika Eleniak, Angie Everhart and Corey Feldman. Directed by Gilbert Adler.

TALES FROM THE CRYPT: DEMON KNIGHT
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With that title, you might be expecting an anthology, but you'd be wrong. Inspired by the 1950's comics and the popular television show, this is a zippy full-length feature about the guardian of an ancient key who faces off against some flesh-eating demons in a desert boarding house. The fate of mankind hangs in the balance. Ernest Dickerson, who photographed many of Spike Lee's movies, serves up the frights and fun. And you know a horror movie has its heart in the right place when it features actor Dick Miller. With Billy Zane, William Sadler and Thomas Haden Church. Directed by Ernest Dickerson.

THE SHAFT
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The Chiller building’s creepy elevators are like something out of HP Lovecraft: once those doors slide shut, you’re never sure if the next stop is the sixth floor or the fifth dimension. So we can relate to this movie, which stars Naomi Watts as a reporter whose latest killer assignment has its ups and downs. With Naomi Watts and James Marshall. Directed by Dick Maas.

WATCHERS
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First thing's first: let's not get this title confused with that serial killer movie starring Marisa Tomei and Keanu Reeves. That’s called “The Watcher.” This movie is based on a Dean R. Koontz novel and stars 1980’s heartthrob Corey Haim (not to be confused with 1980's heartthrob Corey Feldman) as a teenager who crosses paths with two escapees from a research laboratory: one’s a dog, the other’s a murderous mutant. The thing is, both dog and mutant are telepathically linked. And whenever a dog and a mutant are telepathically linked, well, you’ve got the prime ingredients for B-movie heaven. Enjoy! With Corey Haim and Michael Ironside. Directed by Jon Hess.

WEREWOLF OF LONDON (1935)
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Beware the Stalking Being - Half-Human - Half-Beast! The first Universal werewolf film tells the edgy, frightening tale of a British botanist who is cursed with the mark of the wolf after being bitten by a creature in the mountains of Tibet. A true horror classic.